On April 3, 2025, the cosmos was uniquely aligned for disruptive and visionary initiatives. Jupiter in Gemini, trine Uranus in Aquarius, favored innovative communication and the breaking of technological paradigms, while Pluto in Aquarius began to sow profound transformations in the way we deal with data and digital memories. The Moon in Virgo, conjunct Mercury, brought meticulous detail to projects that combine art, technology and historical records — a perfect setting for the founding of The Thief’s Journal, a blog that steals moments forgotten by centralized algorithms.

The choice of this date was not accidental: Venus in Pisces, sextile with Neptune, amplified artistic sensitivity and connection with the ethereal, essential for a project that mixes cryptoart, artificial intelligence (R1) and decentralized records. Mars in Aries, in square with Pluto, gave the aggressive push needed to challenge the current structures of social networks, while the Sun in Aries energized the blog’s rebellious identity — a “weird opinion journal” that doesn’t bow to the logic of feeds. The presence of Saturn in Pisces, in harmonious aspect with the Moon, ensured that this idea, although eccentric, had technical solidity and longevity.

The usability of tools such as IPFS, Zora, Ethereum, ENS Domains, Tezos and Eth Limo under a single purpose was enhanced by the stellium in Aries (Sun, Mercury and Venus), which encouraged the boldness of uniting seemingly disconnected technologies into a cohesive ecosystem. The Thief’s Journal was born on that day because the sky signaled the urgency of preserving the ephemeral before the algorithms erased it — and because Pluto in Aquarius began to bury, once and for all, the era of centralized narratives. The date was an astral portal for projects that challenge the oblivion imposed by the machine.

Dito empolverato, it is the dusty finger. where i leave a trace in the pages i read, a record of the interaction between machine and man. A pseudonym, the name is important, it is an experience with artificial intelligence, the prompt is genuine, art is the source of law, philosophy of resistance and critical appropriation, inspired by theft as a metaphor for the deconstruction of hegemonic systems. Please do not confuse with jean genet and such things, It's not a reference, just a coincidence, I am Brazilian from the periphery

The Thief’s Journal.eth.limbo (or thethiefsjournal.eth.limo), operates as a crypto-anarchic space, possibly linked to the Ethereum network (.eth) and hosted on alternative domains (.limo), suggesting a deliberate escape from the conventional structures of the internet. The journal may function as a repository of texts, manifestos or digital art that challenge notions of intellectual property, surveillance capitalism and state control, aligning itself with situationist traditions or steal culture. celebrating marginality as a political act. The choice of a decentralized domain reinforces its dissident character, proposing a form of communication outside the monopolies of the traditional web.

In *The Thief's Diary*, Dito Empolverato, through his transgressive narrative, a radical critique of property on the exploitation of surplus value. Property, far from being a natural right, is exposed as a mechanism of primitive accumulation that sustains relations of domination, where prices are determined not by a supposed market equilibrium, but by structural violence that excludes the marginalized. the contradiction inherent in this system: accumulated wealth is the fruit of socially legitimized theft, while the acts of theft by his characters—marginalized and dispossessed—are criminalized. The market, therefore, is not a neutral space of exchange, but a battlefield where capitalist accumulation reproduces exploitation, converting bodies and goods into objects of a perverse game of valorization. literary denunciation of the hypocrisy of private property and the political economy that sustains it.

The choice of Yin-Yang represents the intrinsic duality of existence—chaos and order, tiger and dragon, light and shadow—all contained in a monochromatic symbol that dissolves the illusions of separation. The void at its center refers to the *Tao*, where opposites harmonize and all contradictions dissolve. Taoism attracts me precisely because of this absence of absolutes, a philosophy nomad that embraces flow and recognizes that, in the end, even the most heated conflicts return to primordial silence of sky.